Oscar Wildes outlook on tradition can be outstrip understood in the context of his strong ties to the decadent poets, a movement in which Romantic attraction to whatever produced the sharpest wiz became a cult of perversity and de genesis. Their emphasis was on the enormousness of art for its own sake. Art m hoaryinessiness be free-lance of chaste and social concerns, they believed, and must concentrate on movement higher up all in all else. The inspiration for Decadent art was to be give in aestheticism, the cultivation of an ideal art, a novel plant of beauty - leading to the extreme pole of Dandyism. Decadent poets were in the main interested in escaping Victorian lesson conventions. They did non avoid grand or scandalous themes: they took interest in all expressions of humankind emotion, the traditionally acceptable as healthy as the obdurate and immoral. In contrast to the literary tradition of realism, Wilde held relativist views round moral issues. His writings manifest a hint of rise against the integral morality of the bourgeois age, and they show a resource for moral ambivalence to the certainty of moral conventions. Wildes epigrams also jeopardise the so-called natural moral values of Victorian ball society as ideological constructions and empty mannerisms. His work brings about a transformation of values: he changes negative terms correspond sin and insincerity into positive tactile sensations for individual development.
For his part, T.S. Eliots believed that all poets must conform to tradition to produce new expressions of old dainty ideas. His essay Tradition and the indi vidual advocates, at to the lowest degree i! mplicitly, the notion of canon for the works that stand the test of time. To Eliot, books must have a continuing relevance for separately generation; its significance must conform to the tradition of the d.o.a. poets and artists. This tradition, Eliot suggests, does not mean a blind conformity to... If you wish to catch a full essay, order it on our website: BestEssayCheap.com
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